Michael Shaughnessy (columnist with EdNews.org) interviews Elizabeth Kantor, author of the recently published book The Politically Incorrect Guide to English and American Literature. Kantor says,
students are not getting what they need in order to learn to write well. Human beings learn language—both spoken and written—through imitation. If students don't read good writing, they won't become good writers. Grammar is also very useful to writers, and unfortunately it's been out of fashion in composition classes for some decades. ...
I'd say both attitudes and information are essential to any kind of learning. But different combinations yield very different kinds of education! For example, consider the traditional English literature survey, arranged chronologically. Students get a chance to sample some very different "attitudes," first of Anglo-Saxon poets, then of a late medieval author such as Chaucer, then of Shakespeare, Milton, and so on, through the Romantic poets into the 20th century. The students won't learn everything there is to know about the great literature in English, but they'll have enough "information" to pursue more learning, if they're interested. They'll have a basic "knowledge" about the classics.
If, on the other hand, an English literature class is organized around the various trendy forms of "literary theory"—Marxism, feminism, "gender studies," "queer theory," deconstruction, and so forth—then the students are the poorer for it. All these different brands of "theory" will tend to communicate a single "attitude" to the student: a sense that the whole history of Western civilization is simply a record of oppression—whether of women, or homosexuals, of the poor, or of "people of color." And meanwhile, the student hasn't been given the "information" he needs to get to the classics, and thus to develop his own informed attitude about our past and the roots of our culture.
I have some sympathy for Kantor's perspective. When I read works of literature, I want to enjoy them for what they are, for the ideas they embody, not for anachronistic analyses. Talk about how to destroy an appreciation for literature! Even so, I have some reservations about several points in this interview.
One is, "students are not getting what they need in order to learn to write well", and for Kantor, that means reading the classics of English literature.Naturally, English majors will read all of these, but they are a small percentage of all university students. It seems unreasonable to expect that (1) a one-semester survey on the classics will have much influence on students' writing and (2) most students will read the classics deeply and widely, whether as a requirement or on their own. Perhaps they should. But that's another issue with its own complications.
Also, while I would agree that reading good writing leads to good writing, Kantor makes no mention of how much time is needed for this process to occur. Most of my students (mostly ESL, but at times non-ESL) have done little reading before entering college. A crash course in reading cannot catch these students up in a semester or two to a level at which they can readily learn to recognize and apply what they read to what they write. I'm not arguing against having students read a lot. Rather, I'm simply saying that reading literature is not a panacea for a lack of reading and writing experience.
Another issue is the conflating of literature with composition in general. Although good reading habits are usually intertwined with good writing, there's an assumption that one type of writing, or reading, transfers to another type of writing. That's simply not true. Just consider the long process that "Nate," a doctoral student who had considerable experience in expressivist writing, went through to learn to write with the conventions expected in his rhetoric program (Berkenkotter et al.). How much more so for undergraduate students without considerable reading and writing experience! With this in mind, reading in composition and other writing intensive courses should be tied to the types of writing that students will do, not to great works of literature unless it is a course on writing types of literature.
Extensive reading and engaging with great ideas are important elements of good writing. For non-English majors, however, a foundation of reading and writing based not on the classics but on contemporary writings would bear more fruit in helping students' reading, writing, and thinking skills to develop.
Reference
Berkenkotter, C., Huckin, T. N., & Ackerman, J. (1988). Conventions, conversations, and the writer: Case study of a student in a rhetoric Ph.D. program. Research in the Teaching of English, 22, 9-44.
Update:
I just came across this article Read good writing to become a good writer. In it, Carol La Valley interviews Jim Quinlan, professor at Gila Community College (Payson, Arizona), who has students in English 101 read nonfiction essays to strengthen their reading and writing skills.